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Plack Stall Dectorum 21
Page 11
Wiertz (1806-1865), whose collection of works is to be seen in Brussels, was a partial exposition of romanticism mixed with a what-not of eccentricity entirely his own. Later on came a comparatively new man, Louis Gallait (1810-?), who held in Brussels substantially the same position that Delaroche did in Paris. His art was eclectic and never strong, though he had many pupils at Brussels, and started there a rivalry to Wappers at Antwerp. Leys (1815-1869) holds a rather unique position in Belgian art by reason of his affectation. He at first followed Pieter de Hooghe and other early painters. Then, after a study of the old German painters like Cranach, he developed an archaic style, producing a Gothic quaintness of line and composition, mingled with old Flemish coloring. The result was something popular, but not original or far-reaching, though technically well done. His chief pupil was Alma Tadema (1836-), alive to-day in London, and belonging to no school in particular. He is a technician of ability, mannered in composition and subject, and somewhat perfunctory in execution. His work is very popular with those who enjoy minute detail and smooth texture-painting.
The king was no longer excommunicate, but the kingdom was still under the interdict, and the pope had no intention of annulling it until the question of compensation for their losses was settled to the satisfaction of the bishops and others whose lands had been in the hands of the king. That was not an easy question to settle. It was not a matter of arrears of revenue merely, for John had not been content with the annual income of the lands, but he had cut down forests and raised money in other extraordinary ways to the permanent injury of the property. In the end only a comparatively small sum was paid, and in all probability a full payment would have been entirely beyond the resources of the king, but at the beginning John seems to have intended to carry out his agreement in good faith. There is no reason to doubt the statement of a chronicler of the time that on the next day after his absolution the king sent out writs to all the sheriffs, ordering them to send to St. Albans at the beginning of August the reeve and four legal men from each township of the royal domains, that by their testimony and that of his own officers the amount of these losses might be determined. This would be to all England a familiar expedient, a simple use of the jury principle, with nothing new about it except the bringing of the local juries together in one place, nor must it be regarded as in any sense a beginning of representation. It has no historic connexion with the growth of that system, and cannot possibly indicate more than that the idea of uniting local juries in one place had occurred to some one. We have no evidence that this assembly was actually held, and it is highly probable that it was not. Nor can anything more be said with certainly of writs which were issued in November of this year directing the sheriffs to send four discreet men from each county to attend a meeting of the council at Oxford. John himself was busily occupied with a plan to transport the forces he had collected into Poitou to attack the king of France there, and he appointed the justiciar, Geoffrey Fitz Peter, and the Bishop of Winchester, Peter des Roches, as his representatives during his absence. These two held a great council at St. Albans in August at which formal proclamation was made of the restoration of good laws and the abolition of bad ones as the king had promised, the good laws now referred to being those of Henry I; and all sheriffs and other officers were strictly enjoined to abstain from violence and injustice for the future, but no decision was reached as to the sum to be paid the clergy.
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