Plack Stall Dectorum 18

The idea of Evolution has influenced all the sciences, forcing us to think of _everything_ as with a history behind it, for we have travelled far since Darwin's day. The solar system, the earth, the mountain ranges, and the great deeps, the rocks and crystals, the plants and animals, man himself and his social institutions--all must be seen as the outcome of a long process of Becoming. There are some eighty-odd chemical elements on the earth to-day, and it is now much more than a suggestion that these are the outcome of an inorganic evolution, element giving rise to element, going back and back to some primeval stuff, from which they were all originally derived, infinitely long ago. No idea has been so powerful a tool in the fashioning of New Knowledge as this simple but profound idea of Evolution, that the present is the child of the past and the parent of the future. And with the picture of a continuity of evolution from nebula to social systems comes a promise of an increasing control--a promise that Man will become not only a more accurate student, but a more complete master of his world.

But again it is true that all human souls who have an instinct for expression--writers, painters, musicians--have always been trying to do this one thing, to make signals, to communicate, to reveal themselves, to "unpack the heart in words"; and what has often hindered the process and nullified their efforts has been an uneasy dignity and vanity, that must try to make out a better case than the facts justify. For a variety of motives, and indeed for the best of motives, men and women suppress, exalt, refine the presentment of themselves, because they desire to be loved, and think that they must therefore be careful to be admired, just as the lover adorns himself and puts his best foot forward, and hides all that may disconcert interest or sympathy. So that it happens in life that often when we most desire to be real, we are most unreal.

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