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On the infrequent occasions when the dry-paintings are employed, the medicine-man in charge of the ceremony directs his assistants, at daylight, to begin the painting. When it is finished he takes his station close to the easternmost figure of the painting, on its northern side. At the right of the medicine-man sit twelve chosen singers with a drum. The four masked _gaun_, or gods, at the same time take their places at the cardinal points. The patient then enters from the east and sits down on the head of the large figure in the centre of the dry-painting. As he does so the medicine-man commences to sing, and is joined by the chorus at once. They may sing the song four times, or sing four different songs, or any multiple of four, at the pleasure of the medicine-man. When the songs are finished the four masked personages scrape the colored earths into a heap about the patient and rub them in handfuls over his body. If this ceremony proves to be ineffectual, it is believed to be the will of the gods that the patient be not cured.

The same year, 1513, Ponce de Leon, an old Spanish soldier in the wars with the Moors, a companion of Columbus in his second voyage, and till now governor of Porto Rico, began exploration to the northward. Leaving Porto Rico with three ships, he landed on the coast of an unknown country, where he thought to find not only infinite gold but also the much-talked-about fountain of perpetual youth. His landing occurred on Easter Sunday, or Pascua Florida, March 27, 1513, and so he named the country Florida. The place was a few miles north of the present town of St. Augustine. Exploring the coast around the southern extremity of the peninsula, he sailed among a group of islands, which he designated the Tortugas. Returning to Porto Rico, he was appointed governor of the new country. He made a second voyage, was attacked by the natives and mortally wounded, and returned to Cuba to die.

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